SOLO EXHIBITIONS
2013 f2113, Fitzroy Gallery, New York
2012 Solo presentation booth, Fitzroy Gallery, Art Los Angeles Contemporary,
Los Angeles, CA
2011 21st Century Dub Dub, Fitzroy Gallery, New York
Double Exposure, Akademie Schloss Solitude, Stuttgart, Germany
2010 Sean Dack and Ethan Breckenridge, The Suburban, Chicago, Il
2008 Ghost Hardware, Daniel Reich Gallery, New York, NY
Echo/ Repeat, Fredric Snitzer Gallery, Miami, FL
2007 Future Songs, Daniel Reich Gallery, New York, NY
Loss and Recovery/ Vovoid, Hiromi Yoshii Gallery, Tokyo, Japan
2006 Twilight Town, Moore Space, Miami FL
Diminished Returns/ Innocent Eyes, David Kordansky Gallery, Los Angeles, CA
2004 Sean Dack, Daniel Reich Gallery, New York, NY
Dwell Time, Southfirst:art, Brooklyn, NY
2003 Sean Dack and Liam Gillick, A Film, A Clip, A Documentary,
Corvi-Mora, London, England
2002 Fresh and Upcoming, Frankfurter Kunstverein, Frankfurt, Germany (project space)
No Encore, Galerie Anton Weller, Paris, France
No Encore, Southfirst:art, Brooklyn, NY.
GROUP EXHIBITIONS
2013 Paper, Saatchi Gallery, London, UK
2012 Megabodega, Family Business, New York, NY
Data Trash, I-20 Gallery, New York, NY
magic P.G., Hiromi Yoshii, Tokyo, Japan
Image Transfer, Newcomb Art Gallery, Tulane University, New Orleans, LA
2011 Image Transfer, Center for Art, Design and Visual Culture, Baltimore, Maryland
Summer Time Blues, Fredric Snitzer Gallery, Miami, FL
The Digital Eye: Photographic Art in the Electronic Age, Henry Art Gallery, University
of Washington, Seattle, WA
Alive She Cried. Galerie Zink, Berlin
Common Love, Aesthetics of Becoming, Meriam and Ira Wallach Gallery,
Columbia University
Image Transfer, Richard E. Peeler Art Center, DePauw University, Greencastle,
Indiana
The Shape We’re In (London), Zabludowicz Collection, London
The Shape We’re In (New York), Zabludowicz Collection/1500 Broadway, New York
2010 Bowry Lane, Charles Bank Gallery, New York
Image Transfer, Henry Art Gallery, University of Washington, Seattle, WA
Data Mining-Artist Constructs, Averill and Bernard Leviton A+D Gallery, Columbia
College, Chicago
Systematic, Zabludowicz Collection, London, UK
The Library of Babel / In and Out of Place, Zabludowicz Collection, London, UK
Oneshot, Allmänna Gallery, Stockholm, Sweden
2009 Oneshot, Werkstette, Copenhagen
Vortexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
Rave Simulation, And/Or Gallery, Dallas, TX
Walk By Movies, James Gallery, The Graduate Center of The City University of New
York, Curated by Linda Norden
Bilder For Boatin, Silver Shed, New York, NY, Curated by Dirk Skreber
2008 SHOT SPOT, Geoffrey Young Gallery, Great Barrington, MA
Crossroads. Interfaces between rock music and contemporary art,
Domus Artium Museum, Salamanca, Spain
The Future as Disruption, The Kitchen, New York, NY
Selected Works, Southfirst:Art, Brooklyn, NY
Cube Passerby, Gavin Brown’s Passerby, New York, NY
The Hidden, Maureen Paley, London, UK
Uncertain States of America, Songzhuan Art Center, Beijing, China
2007 Uncertain States of America, Galerie Rudolfinum, Prague
Deaf II “From the Audible to the Visible”, Frank Elbaz Gallery, Paris, Curated by
Peter Coffin
Uncertain States of America, Le Musee de Serignan, Serignan, France
9 or 10 Works I Used To Like, In No Order, Monitor Video and Contemporary Art,
Rome
Landscapes, Southfirst:Art, Brooklyn
Uncertain States of America, The Centre for Contemporary Art, Warsaw
Uncertain States of America, Herning Kunstmuseum, Denmark
Uncertain States of America – American Video Art in the 3rd Millennium,
Moscow Biennial, Moscow
2006 Uncertain States of America, Reykjavik Art Museum, Reykjavik, Iceland
Surviving Paranoia Hudson Valley Center for Contemporary Art, Peekskill, NY
Uncertain States of America, Serpentine Gallery, London, UK
Thank You For The Music (London Beat), Galerie Sprueth Magers Lee,
London, UK
Uncertain States of America, Bard College Center for Curatorial Studies, Bard
College
Endless Summer, Westlondonproject, London, UK
Manhattan Project, Fredric Snitzer Gallery, Miami, FL
2005 Thank You For The Music, Galerie Sprueth Magers, Munich, Germany,
Uncertain States of America, Astrup Fearnley Museum of Modern Art,
Oslo, Norway, Curated by Hans Ulrich Obrist,
Daniel Birnbaum, and Gunnar B. Kvaran
There’s a City In My Mind, Southfirst:art, Brooklyn, NY
2004 Works on Paper, Mixture Contemporary Art, Houston, TX
Trailer, Man in the Holoscene, London, UK, curated by Tom Morton
and Catherine Patha. w/ Liam Gillick
Sadie Hawkins Dance, Summer Group Show, Southfirst:art, Brooklyn, NY.
Music Box, White Box, New York
Glad Day, Foxy Productions, New York
Standard Projection: Weather/Traffic. Standard Hotel, Los Angeles, CA, curated by
Loren Mindak and Art Production Fund
2003 New York Fucking City, Southfirst:art, Brooklyn, NY.
Electric Body, Cite de la Musique, Paris, France
2002 Jahresgaben 2002/2003, Frankfurter Kunstverein, Frankfurt, Germany
Escape, Egizio's Project, New York
Columbia University MFA thesis show, May 2002 , New York, NY.
Dark Spring, curated by Nicolaus Schafhausen in cooperation with Liam Gillick
Ursula Blickle Stiftung, Kraichtal, Germany
Layer Immaterial, Leroy Nieman Center for Print Studies, New York, NY.
2001 Welcome to the Playground of the Fearless, Entropy, Brooklyn, NY.
Flight, Southfirst Gallery, curated by Southfirst & Flug, Vienna, Brooklyn, NY.
Columbia University First Year MFA Show, curated by Jerry Saltz,
Miriam & Ira D. Wallach Gallery, New York, NY.
Workspheres, the Museum of Modern Art
in conjunction with LOT/ek architecture, New York, NY.
Surround 5.1, curated by Arto Linsay, Tonic, New York, NY.
2000 GotoASA.org Benefit Art Auction, curated by James Fuentes and Seth McBride,
Angel Orensanz Foundation, New York, NY.
Open Space, 30 artists in 60 days, James Fuentes Gallery, New York, NY.
BIBLIOGRAPHY
2013 Notes on Paper at the Saatchi Gallery, Blouin Artinfo, June 18th 2013
2012 Original Copies, The Art of Creative Re-Use, Artnews Magazine, March 2012 (Cover)
Knudson, Rainey, Highlights from Art Los Angeles Contemporary, Glasstire, Jan 21st
2011 Linnert, Nicolas, Common Love, Aesthetics of Becoming, The Wild, June 2011
Miller, Leigh Anne, The Lookout: A Weekly Guide to Shows You Don’t Want to Miss:
Sean Dack at Fitzroy Gallery, Art in America, June 2nd, 2011
Strategies of a Supercollector: Anita Zabludowicz on the Philosophy Behind Her
Armory Week Show.
Artinfo.com, March 2nd 2011
Exhibition Preview of Zabludowicz Collection: Six Weeks in New York. Art in America,
Feb 28 2011
2010 Sean Dack “Systematic” at 176 Project Space, Slamxhype.com, July 10th 2010
Donoghue, Katy, Systematic, Whitewall Magazine July 2nd 2010
Sean Dack: A Glitch in Time, Nowness.com July 7th 2010
Sean Dack’s Version/Variation, Nowness.com, July 7th 2010
2009 Kowalczyk, Piotr, Tesknota Za Wariantami Przyszlosci, Notes Na 6 Tygodni, No. 51,
Warsaw Poland, Spring 2009
2008 Hannum, Terrence, Sean Dack Ghost Hardware at Daniel Reich Gallery, Profile:
Columbia College, Chicago, Fall 2008
Banks, Eric, Seeing Red, Men’s Vogue, August 2008
Rosenberg, Karen, The Future as Disruption, The New York Times, August 1, 2008
Gelber, Eric, Taking Liberties with a Loose Genre, The New York Sun, July 10, 2008
Amir, Yaelle, Sean Dack’s Ghosts, Artslant New York, June 2008
Armetta, Amoreen, Sean Dack at Daniel Reich Gallery, Artforum.com, Critic’s Picks.
2007 Kennedy, Randy, “No.1 With a Bullet (or, Rather an Apocalyptic Blast)” The New York
Times, August 17, 2007 page E1
Brown, Jacob, “Extra,” V Magazine, March 2007 pg. 190
2006 Sjostrom, Jan, “Moore gives life to performance art, video,” Palm Beach Daily News,
December 10,
Fox, Dan, “Thank You For The Music (London Beat)," Frieze, October 2006, pp. 268
Turner, Elisa, “A Walk On The Wild Side,” September 17, 2006, Page 1M, Miami
Herald
Knight, Christopher, “Internet Images Caught, Modulated,” Los Angeles Times,
January 27, 2006, pp. E26-E27
"Diminished Returns/Innocent Eyes: I want my MTV (and my art!)," LA.COM, January
21, 2006
2005 McClister, Nell, "Sean Dack", Artforum, March 2005, pp.239-240
Gillick, Liam, Parreno, Philippe, "Liam Gillick and Philippe Parreno
Talk About 'Briannnnnn and Ferryyyyyy'", Artforum (1000 Words), February 2005,
pp.144-145
2004 Cherix, Christophe, “Anna Sanders Films Identity Spot,” Afterart News,
No. 2 Summer 2004, Page 9
Beyer, Charles G., “Sean Dack,” Flash Art, May-June 2004, Page 83
Maine, Stephen, Dateline Brooklyn, Artnet.com, April 14, 2004
2003 Herbert, Martin, “Liam Gillick, Sean Dack”, Time Out London,
No. 1737, December 3-10 2003 p.54
ed. Lavinia Garulli and Valentina Sansone, “Focus Photography”,
Flash Art, Vol.36, No.232, October 2003 p.87
Kordansky, David, “Sean Dack,” V magazine, July 2003
Zapperi, Giovanna. “Electric Body: Le Corps En Scène”,
Flash Art, January-February 2003
2002 Gesschichte, Stück. “Videoinstallation Sean Dack”,
Journal Frankfurt, September 18, 2002
Hohmann, Silke, "Der kalkulierbare Kurt Cobain",
Frankfurter Rundschau, September 4, 2002
Wolters, Dierk, "Zertrummerte Gitarren in der Endlosschleife",
Frankfurter Neue Presse, September 4, 2002
“Eröffnung mit Sean Dack und Timo Albrecht als DJs”,
Frankfurter Rundschau, September 2, 2002
Krueger, Reto, "In Kraichtal stört Lee Karls Ruhe", Observer, April 4, 2002
Schutte, Christoph, "Kopie eines Buhnenberserkers, Sean Dack im
Kunstverein", Frankfurter Allgemeine Zeitung , September 7, 2002
Kerner, Anne, "Famous and Immortal", Divento, July 17th 2002
Jonquet, Francois: "This Is The End", Nova Magazine, July 2002, Paris, France
Smith, Roberta, “Art In Review: Sean Dack at Southfirst”,
The New York Times, January 18, 2002
2000 Fuentes, James, Open Space, James Fuentes Gallery, New York,
Zing Magazine, Spring/ Summer 2000
GRANTS, AWARDS and RESIDENCIES
2010 Akademie Schloss Solitude, Stuttgart, Germany
2004 American Center Foundation project grant
2001 Theodore & Carolyn Newhouse Sculpture Award, Columbia University
CURATORIAL PROJECTS
2010 A Testbed of Futurity, Southfirst:art, Brooklyn, NY
PUBLIC SCREENINGS
2012 Video in the City, Galeries CinemaArt Brussels/ Art Brussels
Double Exposure, Art Los Angeles Contemporary Public Screening Program
2011 Double Exposure, Tribeca Grand Hotel Screening Room
2008 Intrude: Art and Life 366, Bailian Xijiao Shopping Mall, Shanghai, China,
Love Life Film at the Standard Hotel, Miami,
Curated by Christian Rattemeyer and Cay Sophie Rabinowitz
PERFORMANCES
2008 Striations, Daniel Reich Gallery, New York, NY
PUBLICATIONS
Easy To See Who Is Coming and Going - Jahrbuch 11, Akademie Schloss Solitude, Edition
Solitude 2012
Data Trash, I 20 Gallery 2012 (Exhibition Catalog)
Version/Variation, Fitzroy Gallery 2011 (Exhibition Catalog/Artist Book)
Common Love: Aesthetics of Becoming, Cabanas, Kaira M., Meriam and Ira D Wallach Art
Gallery, Columbia University 2011 (Catalog)
The Shape We’re In, Neilson, Elizabeth, Zabludowicz Collection, London, UK 2011 (Catalog)
Image Transfer: Pictures in a Remix Culture, Krajewski, Sara, Henry Art Gallery, Seattle, Wash,
2010 (Catalog)
Systematic Zabludowicz Collection, London, UK 2010 (Catalog)
The Digital Eye, Wolf, Sylvia, Prestel Publishing, 2010
Future Songs, Essay by Liam Gillick, Daniel Reich Gallery 2007 (Artist Book)
The Moscow Biennial of Contemporary Art, Footnotes: On Geopolitics, Market and Amnesia,
Moscow, 2007 (Catalog)
Sean Dack, Twilight Town, The Moore Space, Miami and Daniel Reich Gallery, New York, 2006
(Catalog)
Uncertain States of America: American Art in the Third Millennium, Astrup Fearnley Museet for
Modern Kunst
Dack, Sean and Liam Gillick, Anna Sanders Films Identity Spot, One Star Press, Paris, 2004
Electric Body: Le Corps en Scene, Cite de la Musique 2002 (Catalog)
Dark Spring, Schafhausen, Nicolaus, and Vanessa Joan Muller, Ursula Blickle Stiftung 2002
(Catalog)
SPECIAL PROJECTS/ COMMISSIONS
Sephora window display, Summer 2013
Dior Homme, Shanghai, fitting room installation, collaboration with Liam Gillick, 2005
PUBLIC COLLECTIONS
The Saatchi Collection
Zabludowicz Collection
De La Cruz Collection
University of Washington, Henry Art Gallery
2013 f2113, Fitzroy Gallery, New York
2012 Solo presentation booth, Fitzroy Gallery, Art Los Angeles Contemporary,
Los Angeles, CA
2011 21st Century Dub Dub, Fitzroy Gallery, New York
Double Exposure, Akademie Schloss Solitude, Stuttgart, Germany
2010 Sean Dack and Ethan Breckenridge, The Suburban, Chicago, Il
2008 Ghost Hardware, Daniel Reich Gallery, New York, NY
Echo/ Repeat, Fredric Snitzer Gallery, Miami, FL
2007 Future Songs, Daniel Reich Gallery, New York, NY
Loss and Recovery/ Vovoid, Hiromi Yoshii Gallery, Tokyo, Japan
2006 Twilight Town, Moore Space, Miami FL
Diminished Returns/ Innocent Eyes, David Kordansky Gallery, Los Angeles, CA
2004 Sean Dack, Daniel Reich Gallery, New York, NY
Dwell Time, Southfirst:art, Brooklyn, NY
2003 Sean Dack and Liam Gillick, A Film, A Clip, A Documentary,
Corvi-Mora, London, England
2002 Fresh and Upcoming, Frankfurter Kunstverein, Frankfurt, Germany (project space)
No Encore, Galerie Anton Weller, Paris, France
No Encore, Southfirst:art, Brooklyn, NY.
GROUP EXHIBITIONS
2013 Paper, Saatchi Gallery, London, UK
2012 Megabodega, Family Business, New York, NY
Data Trash, I-20 Gallery, New York, NY
magic P.G., Hiromi Yoshii, Tokyo, Japan
Image Transfer, Newcomb Art Gallery, Tulane University, New Orleans, LA
2011 Image Transfer, Center for Art, Design and Visual Culture, Baltimore, Maryland
Summer Time Blues, Fredric Snitzer Gallery, Miami, FL
The Digital Eye: Photographic Art in the Electronic Age, Henry Art Gallery, University
of Washington, Seattle, WA
Alive She Cried. Galerie Zink, Berlin
Common Love, Aesthetics of Becoming, Meriam and Ira Wallach Gallery,
Columbia University
Image Transfer, Richard E. Peeler Art Center, DePauw University, Greencastle,
Indiana
The Shape We’re In (London), Zabludowicz Collection, London
The Shape We’re In (New York), Zabludowicz Collection/1500 Broadway, New York
2010 Bowry Lane, Charles Bank Gallery, New York
Image Transfer, Henry Art Gallery, University of Washington, Seattle, WA
Data Mining-Artist Constructs, Averill and Bernard Leviton A+D Gallery, Columbia
College, Chicago
Systematic, Zabludowicz Collection, London, UK
The Library of Babel / In and Out of Place, Zabludowicz Collection, London, UK
Oneshot, Allmänna Gallery, Stockholm, Sweden
2009 Oneshot, Werkstette, Copenhagen
Vortexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
Rave Simulation, And/Or Gallery, Dallas, TX
Walk By Movies, James Gallery, The Graduate Center of The City University of New
York, Curated by Linda Norden
Bilder For Boatin, Silver Shed, New York, NY, Curated by Dirk Skreber
2008 SHOT SPOT, Geoffrey Young Gallery, Great Barrington, MA
Crossroads. Interfaces between rock music and contemporary art,
Domus Artium Museum, Salamanca, Spain
The Future as Disruption, The Kitchen, New York, NY
Selected Works, Southfirst:Art, Brooklyn, NY
Cube Passerby, Gavin Brown’s Passerby, New York, NY
The Hidden, Maureen Paley, London, UK
Uncertain States of America, Songzhuan Art Center, Beijing, China
2007 Uncertain States of America, Galerie Rudolfinum, Prague
Deaf II “From the Audible to the Visible”, Frank Elbaz Gallery, Paris, Curated by
Peter Coffin
Uncertain States of America, Le Musee de Serignan, Serignan, France
9 or 10 Works I Used To Like, In No Order, Monitor Video and Contemporary Art,
Rome
Landscapes, Southfirst:Art, Brooklyn
Uncertain States of America, The Centre for Contemporary Art, Warsaw
Uncertain States of America, Herning Kunstmuseum, Denmark
Uncertain States of America – American Video Art in the 3rd Millennium,
Moscow Biennial, Moscow
2006 Uncertain States of America, Reykjavik Art Museum, Reykjavik, Iceland
Surviving Paranoia Hudson Valley Center for Contemporary Art, Peekskill, NY
Uncertain States of America, Serpentine Gallery, London, UK
Thank You For The Music (London Beat), Galerie Sprueth Magers Lee,
London, UK
Uncertain States of America, Bard College Center for Curatorial Studies, Bard
College
Endless Summer, Westlondonproject, London, UK
Manhattan Project, Fredric Snitzer Gallery, Miami, FL
2005 Thank You For The Music, Galerie Sprueth Magers, Munich, Germany,
Uncertain States of America, Astrup Fearnley Museum of Modern Art,
Oslo, Norway, Curated by Hans Ulrich Obrist,
Daniel Birnbaum, and Gunnar B. Kvaran
There’s a City In My Mind, Southfirst:art, Brooklyn, NY
2004 Works on Paper, Mixture Contemporary Art, Houston, TX
Trailer, Man in the Holoscene, London, UK, curated by Tom Morton
and Catherine Patha. w/ Liam Gillick
Sadie Hawkins Dance, Summer Group Show, Southfirst:art, Brooklyn, NY.
Music Box, White Box, New York
Glad Day, Foxy Productions, New York
Standard Projection: Weather/Traffic. Standard Hotel, Los Angeles, CA, curated by
Loren Mindak and Art Production Fund
2003 New York Fucking City, Southfirst:art, Brooklyn, NY.
Electric Body, Cite de la Musique, Paris, France
2002 Jahresgaben 2002/2003, Frankfurter Kunstverein, Frankfurt, Germany
Escape, Egizio's Project, New York
Columbia University MFA thesis show, May 2002 , New York, NY.
Dark Spring, curated by Nicolaus Schafhausen in cooperation with Liam Gillick
Ursula Blickle Stiftung, Kraichtal, Germany
Layer Immaterial, Leroy Nieman Center for Print Studies, New York, NY.
2001 Welcome to the Playground of the Fearless, Entropy, Brooklyn, NY.
Flight, Southfirst Gallery, curated by Southfirst & Flug, Vienna, Brooklyn, NY.
Columbia University First Year MFA Show, curated by Jerry Saltz,
Miriam & Ira D. Wallach Gallery, New York, NY.
Workspheres, the Museum of Modern Art
in conjunction with LOT/ek architecture, New York, NY.
Surround 5.1, curated by Arto Linsay, Tonic, New York, NY.
2000 GotoASA.org Benefit Art Auction, curated by James Fuentes and Seth McBride,
Angel Orensanz Foundation, New York, NY.
Open Space, 30 artists in 60 days, James Fuentes Gallery, New York, NY.
BIBLIOGRAPHY
2013 Notes on Paper at the Saatchi Gallery, Blouin Artinfo, June 18th 2013
2012 Original Copies, The Art of Creative Re-Use, Artnews Magazine, March 2012 (Cover)
Knudson, Rainey, Highlights from Art Los Angeles Contemporary, Glasstire, Jan 21st
2011 Linnert, Nicolas, Common Love, Aesthetics of Becoming, The Wild, June 2011
Miller, Leigh Anne, The Lookout: A Weekly Guide to Shows You Don’t Want to Miss:
Sean Dack at Fitzroy Gallery, Art in America, June 2nd, 2011
Strategies of a Supercollector: Anita Zabludowicz on the Philosophy Behind Her
Armory Week Show.
Artinfo.com, March 2nd 2011
Exhibition Preview of Zabludowicz Collection: Six Weeks in New York. Art in America,
Feb 28 2011
2010 Sean Dack “Systematic” at 176 Project Space, Slamxhype.com, July 10th 2010
Donoghue, Katy, Systematic, Whitewall Magazine July 2nd 2010
Sean Dack: A Glitch in Time, Nowness.com July 7th 2010
Sean Dack’s Version/Variation, Nowness.com, July 7th 2010
2009 Kowalczyk, Piotr, Tesknota Za Wariantami Przyszlosci, Notes Na 6 Tygodni, No. 51,
Warsaw Poland, Spring 2009
2008 Hannum, Terrence, Sean Dack Ghost Hardware at Daniel Reich Gallery, Profile:
Columbia College, Chicago, Fall 2008
Banks, Eric, Seeing Red, Men’s Vogue, August 2008
Rosenberg, Karen, The Future as Disruption, The New York Times, August 1, 2008
Gelber, Eric, Taking Liberties with a Loose Genre, The New York Sun, July 10, 2008
Amir, Yaelle, Sean Dack’s Ghosts, Artslant New York, June 2008
Armetta, Amoreen, Sean Dack at Daniel Reich Gallery, Artforum.com, Critic’s Picks.
2007 Kennedy, Randy, “No.1 With a Bullet (or, Rather an Apocalyptic Blast)” The New York
Times, August 17, 2007 page E1
Brown, Jacob, “Extra,” V Magazine, March 2007 pg. 190
2006 Sjostrom, Jan, “Moore gives life to performance art, video,” Palm Beach Daily News,
December 10,
Fox, Dan, “Thank You For The Music (London Beat)," Frieze, October 2006, pp. 268
Turner, Elisa, “A Walk On The Wild Side,” September 17, 2006, Page 1M, Miami
Herald
Knight, Christopher, “Internet Images Caught, Modulated,” Los Angeles Times,
January 27, 2006, pp. E26-E27
"Diminished Returns/Innocent Eyes: I want my MTV (and my art!)," LA.COM, January
21, 2006
2005 McClister, Nell, "Sean Dack", Artforum, March 2005, pp.239-240
Gillick, Liam, Parreno, Philippe, "Liam Gillick and Philippe Parreno
Talk About 'Briannnnnn and Ferryyyyyy'", Artforum (1000 Words), February 2005,
pp.144-145
2004 Cherix, Christophe, “Anna Sanders Films Identity Spot,” Afterart News,
No. 2 Summer 2004, Page 9
Beyer, Charles G., “Sean Dack,” Flash Art, May-June 2004, Page 83
Maine, Stephen, Dateline Brooklyn, Artnet.com, April 14, 2004
2003 Herbert, Martin, “Liam Gillick, Sean Dack”, Time Out London,
No. 1737, December 3-10 2003 p.54
ed. Lavinia Garulli and Valentina Sansone, “Focus Photography”,
Flash Art, Vol.36, No.232, October 2003 p.87
Kordansky, David, “Sean Dack,” V magazine, July 2003
Zapperi, Giovanna. “Electric Body: Le Corps En Scène”,
Flash Art, January-February 2003
2002 Gesschichte, Stück. “Videoinstallation Sean Dack”,
Journal Frankfurt, September 18, 2002
Hohmann, Silke, "Der kalkulierbare Kurt Cobain",
Frankfurter Rundschau, September 4, 2002
Wolters, Dierk, "Zertrummerte Gitarren in der Endlosschleife",
Frankfurter Neue Presse, September 4, 2002
“Eröffnung mit Sean Dack und Timo Albrecht als DJs”,
Frankfurter Rundschau, September 2, 2002
Krueger, Reto, "In Kraichtal stört Lee Karls Ruhe", Observer, April 4, 2002
Schutte, Christoph, "Kopie eines Buhnenberserkers, Sean Dack im
Kunstverein", Frankfurter Allgemeine Zeitung , September 7, 2002
Kerner, Anne, "Famous and Immortal", Divento, July 17th 2002
Jonquet, Francois: "This Is The End", Nova Magazine, July 2002, Paris, France
Smith, Roberta, “Art In Review: Sean Dack at Southfirst”,
The New York Times, January 18, 2002
2000 Fuentes, James, Open Space, James Fuentes Gallery, New York,
Zing Magazine, Spring/ Summer 2000
GRANTS, AWARDS and RESIDENCIES
2010 Akademie Schloss Solitude, Stuttgart, Germany
2004 American Center Foundation project grant
2001 Theodore & Carolyn Newhouse Sculpture Award, Columbia University
CURATORIAL PROJECTS
2010 A Testbed of Futurity, Southfirst:art, Brooklyn, NY
PUBLIC SCREENINGS
2012 Video in the City, Galeries CinemaArt Brussels/ Art Brussels
Double Exposure, Art Los Angeles Contemporary Public Screening Program
2011 Double Exposure, Tribeca Grand Hotel Screening Room
2008 Intrude: Art and Life 366, Bailian Xijiao Shopping Mall, Shanghai, China,
Love Life Film at the Standard Hotel, Miami,
Curated by Christian Rattemeyer and Cay Sophie Rabinowitz
PERFORMANCES
2008 Striations, Daniel Reich Gallery, New York, NY
PUBLICATIONS
Easy To See Who Is Coming and Going - Jahrbuch 11, Akademie Schloss Solitude, Edition
Solitude 2012
Data Trash, I 20 Gallery 2012 (Exhibition Catalog)
Version/Variation, Fitzroy Gallery 2011 (Exhibition Catalog/Artist Book)
Common Love: Aesthetics of Becoming, Cabanas, Kaira M., Meriam and Ira D Wallach Art
Gallery, Columbia University 2011 (Catalog)
The Shape We’re In, Neilson, Elizabeth, Zabludowicz Collection, London, UK 2011 (Catalog)
Image Transfer: Pictures in a Remix Culture, Krajewski, Sara, Henry Art Gallery, Seattle, Wash,
2010 (Catalog)
Systematic Zabludowicz Collection, London, UK 2010 (Catalog)
The Digital Eye, Wolf, Sylvia, Prestel Publishing, 2010
Future Songs, Essay by Liam Gillick, Daniel Reich Gallery 2007 (Artist Book)
The Moscow Biennial of Contemporary Art, Footnotes: On Geopolitics, Market and Amnesia,
Moscow, 2007 (Catalog)
Sean Dack, Twilight Town, The Moore Space, Miami and Daniel Reich Gallery, New York, 2006
(Catalog)
Uncertain States of America: American Art in the Third Millennium, Astrup Fearnley Museet for
Modern Kunst
Dack, Sean and Liam Gillick, Anna Sanders Films Identity Spot, One Star Press, Paris, 2004
Electric Body: Le Corps en Scene, Cite de la Musique 2002 (Catalog)
Dark Spring, Schafhausen, Nicolaus, and Vanessa Joan Muller, Ursula Blickle Stiftung 2002
(Catalog)
SPECIAL PROJECTS/ COMMISSIONS
Sephora window display, Summer 2013
Dior Homme, Shanghai, fitting room installation, collaboration with Liam Gillick, 2005
PUBLIC COLLECTIONS
The Saatchi Collection
Zabludowicz Collection
De La Cruz Collection
University of Washington, Henry Art Gallery
